Towards the end of his life, Grisey had rejected spectralism as a meaningful concept. Yet the six works that make up Les Espaces Acoustiques. To not compose any more with notes, but sounds,” wrote Grisey in the prologue to Les Espaces Acoustiques. GÈRARD GRISEY: Les Espaces Acoustiques. Catalogue No.: KAI. EAN Code: Artist(s). WDR Sinfonieorchester Köln, Stefan Asbury.
|Published (Last):||3 January 2008|
|PDF File Size:||15.4 Mb|
|ePub File Size:||19.28 Mb|
|Price:||Free* [*Free Regsitration Required]|
Grisey: Les Espaces Acoustiques CD review – profound and with a huge physical presence
Les espaces acoustiques proceeds in six movements with the ensemble increasing in size as the piece progresses. Emblematically, the solo viola is heard again at the end of Transitoires and in the Epilogue, as if to confirm the coherence of the minute cycle. You are commenting using your WordPress. Grisey found his solution — and the basis of spectral music — quite by accident.
Les Espaces Acoustiques by Gérard Grisey – Garth Knox
The fine performance above is conducted by Pierre-Andre Valade and available on the Accord record label. It shows how the overtone structure of a single sound, its spectrum, with all its harmonic and microtonal implications, could form the basis for an entire work.
GÈRARD GRISEY: Les Espaces Acoustiques | KAIROS
April 18, at 9: He expressed the opinion that: This page was last edited on 24 Novemberat The central section from 4: Part scientific analysis, part mystical exploration of aural sensuality, Les espaces acoustiques simultaneously deconstructs conceptions of the nature of music whilst remaining firmly rooted in the physical, vibrational qualities of sound itself.
Widely cultured — he spoke a few languages and was as knowledgeable about the art of the Quattrocento as about the culture of Ancient Egypt — Grisey retained from his early faith a tendency to the mystical, and he often couched his music in images of death.
Leave a Reply Cancel reply Enter your comment here To find out more, including how to control cookies, see here: Another long-term project of Grisey’s later years was to write music for solo voice. Loading comments… Trouble loading?
Les espaces acoustiques hovers uneasily between the consonant and the dissonant, the placid and the volatile. The penultimate movement acts as the culmination of the piece, traversing a kaleidoscopic array of luminous textures. Acoustiqkes all-time greats Read about the artists who changed the world of classical music.
First lecture at the Darmstadt Summer Courses, telling his listeners about a new musical movement afoot in Paris. By continuing to acoutsiques this website, you agree to their use.
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. Acoystiques by newest oldest recommendations. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.
Listen out for the lilting series of arpeggios beginning at 3: Please note that this is a different recording so the timings below will no longer correspond exactly with the performance.
Grisey timeline Studies at the Paris Conservatoire. Notify me of new comments via email. This impressively authoritative recording under conductor Stefan Asbury dates fromthough Kairos has not apparently released the disc before now in Britain. But where many of those imitators got caught up in the academic business of composing ever more complicated spectral chords, often lacking is the dramatic sense Grisey possessed.