Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. Check out Kent Kennan: Sonata for Trumpet and Piano: III. Moderately Fast, With Energy by Giuseppe Galante on Amazon Music. Stream ad-free or purchase. Check out Kent Kennan: Sonata for Trumpet and Piano: I. With Strength and Vigor by Giuseppe Galante on Amazon Music. Stream ad-free or purchase CD’s and.

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He learned to play the organ and the piano and received degrees in composition and music theory from the University of Michigan and the Eastman School of Music. Retrieved from ” https: The piano part during this first theme is mostly comprised of chords that are moving in patterns that are traditional chord progressions Dearden The coda only uses fragments of the first theme with a modified rhythm Dearden All of the themes from the exposition are written in the recapitulation Dearden By using this site, you agree to the Terms of Use and Privacy Policy.

Works Cited Dearden, Jennifer Lorien You are commenting using your Twitter account. Fill in your details below or click kemnan icon to log in: McNamara, Anne Kovarik Most of it is an exact restatement of the exposition, but transposed up a half step Dearden Leave a Reply Cancel reply Enter your comment here Snata composed his last major work in at the age of 43 and largely abandoned composition, writing only occasional small pieces and devoting himself to teaching and educational writing.

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This first theme is full of mixed meter, often using asymmetric meters, which is characteristic of the 20 th century style of composing Dearden At the sonafa of 23, he was awarded the Rome Prizewhich allowed him to study for three years in Europe, primarily at the American Academy in Rome.

You are commenting using your WordPress. This first statement begins in minor, goes through Phrygian, sonzta ends in major Dearden The development is the shortest section in the movement Dearden Retrieved 8 June The first theme is played by the trumpet and is muted Dearden Kennan wanted to write in a kennsn style of those who he admired, so he modeled his writing style after Paul Hindemith and Howard Hanson, a teacher of his McNamara This section is distinct from the others in this movement because it is the only section that is not muted Dearden The main motive that was introduced in the first movement appears frequently in this theme Dearden This statement of the theme ends with a ritardando that goes into a fermata Dearden They knew each other while Kennan was composing the piece, so Elsass gave Kennan some advice about writing the trumpet part since he was a trumpet player and a former cornet soloist Dearden The first movements are both in Sonata-Allego form, the second movements are in Three Part Song form, and the third movements are in Rondo form, causing them to both have the same overall structure as well McNamara Measures three and four introduce the fanfare motive kennann the main theme, first with the interval of a perfect fourth, then a perfect fifth Dearden All of theme motives and variants of these motives are repeated throughout the course of this movement Dearden kenhan The main theme of this movement is written three times in a row, the first centered around E-flat Dearden Email required Address never made public.


This made the piece much easier to perform McNamara He also uses some displaced accents to make it sound as though it is in a different meter than the one kennab which it is written Dearden The second movement begins with a piano introduction that is made up of a G kennwn stretches to three octaves Dearden Kennab article on a United States composer born in the 20th century is a stub.

You can help Wikipedia by expanding it. His compositions include works for orchestrachamber ensemble and solo instrument as well as songs and choral music.

The third theme is a chorale in G that begins in minor and ends in major Dearden It is also the only theme that stays centered around a tonic in the entire movement Dearden His Night Soliloquy was written in and is set for solo flute, piano and strings. It is also iennan shorter Dearden This piece is difficult in many ways.

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